Fresh and Green

The other painting

The painting above, Fresh and Green, is one of the other paintings that got me into the Indiana artist club. I recently finished a large studio painting based off of this work. This painting has a lot of design work involved and isn't particularly true to the exact scene that was in front of me. It was more about the patterns I was seeing and trying to organize it in a way that made sense to me. There was so much happening in the lower half of the scene that it had to be edited down and re-arranged to be an attractive showing of what was there. I'm a fan of visual rhythm. If I see shapes that repeat it doesn't matter what the subject material is. It could have been cars, boats, dogs, etc.., as long as it is has a flow. Anyway I need to get back to work. I am doing line and marker drawings of people using a a couple of websites. http://www.artsyposes.com/index, http://lovecastle.org/draw/. Check them out.

HCAA paintout

Noblesville



It has been close to a month since I've posted on here. It has been much longer since I have had a plan of what I'm doing with the blog. That is something I need to think about more and is better left to another post.
The painting above won 1st place today at the HCAA paint out in Noblesville. I painted with Jerry Smith and Mary Anne Davis in some nasty weather. The thing that I think a lot of people would benefit from by going to the plein air events is to find someone to paint with that you enjoy there work and listen and watch them. Plein air events are great because you are out there putting in the work and learning from your self as well. Basically question what and why you are doing things and give yourself something to think about while you are working. If you learn one thing while you are battling all the physicality of painting in an open environment you have done something useful with your brush time.
Some times I find myself painting out in the full sun, actually more than some times. When out in open I get to squinting a lot and it is really hard to see what you are doing with your edges, especially when the values start to get similar. Today I was thinking about how I get my camera to refocus when it is on auto setting. I aim it at something light in value, focus it and then take it back to whatever I'm wanting focused on and focus. Today after I had been squinting for a while I would look up at the clouds and look for colors other than white. Once I found them I would take a few steps back from the painting, look at the painting and the scene. Things would look a whole lot crisper. I'm not sure why it seemed to help but it is something for me to think about next time I go out. Anyway thanks you everyone who talked to me at the show. It's always good to know some body likes what I'm spending my time working on.

Another Field Study

Since returning home I've been looking over the paintings, photos and sketches I did in New Harmony. While there, I only did a few oil sketches. Most of my time was spent with pastels. This little oil sketch was also one of my paintings stamped for field to finish. Looking solely at this sketch it seems busy but when I got to looking at it and the photo it is quite simplified. The farm this scene was located at was just loaded with potential paintings and I will returning there next year as well. This sketch probably will not be used for the competition but it will be re-examined and turned into something else. Yesterday I started doing small pastel studies of the few sketches I got done on site. So far I'm really excited with what has been happening with them. Soon I will begin the largest paintings I've done to date and these sketches are giving me a lot of confidence and ideas to run with.

All about Still Life

My last post was about getting back outside to paint, but I would like to make a few post about still life while it is fresh in my head. The painting above was done in the middle of what I would call my still life season. From the end of  November until the beginning of March I spent most of my painting time working in still life.

Perhaps it was the desire to work from life that got me on such a kick to paint still life or maybe too few field sketches and reference photos. Regardless, still life was the focus of the past few months and now my appreciation for artist that do good work in still life is great. I regularly follow quite a few artist that work in the subject to see what they have to say. A thing of interest for me is to see how an artist works out composition with their still life. I've seen artist that use one angle and concept to do all their work, while others will use a different angle and experiment with new (to them) concepts all the time. Here are a few of the artist that I am watching. http://www.qiang-huang.blogspot.com/, http://carolmarine.blogspot.com/, http://lisadaria.blogspot.com/. These are all artist on DailyPainters. If you follows blogs and daily painters, chances are you know who carol marine and qiang-huang are.  Lisa Daria is some one that I just noticed a couple months ago, but she has been painting much longer than that. I'm a huge fan of their still life paintings and every time they post something it is worth checking out just to do some analyzing and see what they are thinking about.

The painting above was done back in January. At the time I was looking at distorting edges. The knife in the painting has a lot of hard and crisp edges while the apple is softer and almost ethereal in appearance as it recedes into the background.